I saw Public Enemy, Mantronix and a bunch of amazing live acts. When I was a teenager I went to the DMC DJ Mixing championship at Wembley Arena. What’s the first electronic music show that really blew your mind? In later years when I was working in the same area for Dazed & Confused magazine in Shoreditch and making parties there, I felt I could justify my existence - in that I’d grown with the city, and seen, experienced and had some kind of small role in these changes and developments.ġ1. I think it gave me a slight edge, not necessarily arrogant, but confident. People from that part of the city are generally pretty street-wise and a little cocky. What’s distinctive about the place you grew up, and how did it shape you? As a human, I’m not sure where to start, I like to think I learn and grow with every passing day.ġ0. Musically I’ve understood that less is more and to listen to the quiet moments and cherish them. It was never released but I have a dubplate/acetate of it home. I called myself Pantone 666 it was a hybrid drum and bass track with a bunch of weird, spooky samples. I don’t remember the title, but it was the first track I made with a producer called Kumo (Jono Podmore). There was some trepidation at first when I started, but she always supported my dreams.Ĥ. She was in movies like Oliver!, Chitty Chitty Bang Bang, and a couple of cool movies like The Devils and Billion Dollar Brain. She was an extra, mainly working in crowd scenes, but she had a few small speaking parts. What did your parents do for a living when you were a kid, and what do they think of what you do for a living now? I used to read a magazine called Blues & Soul, and that was my bible - that and listening to pirate radio in London.ģ. I was very young, but listening to pretty cool music. It was A Brazilian Love Affair by George Duke on vinyl. ![]() What is the first album or piece of music you bought for yourself, and what was the medium? Its also my birthday, and I’m starting the day answering these questions - which serves me right for releasing an album a week after my birthday.Ģ. We’ve come here to give the kids a short break from the mundanity of the last six months, and we are killing time before going dolphin watching later today. One is playing a learning game on my phone, and the other is watching kids drive tractors on my girlfriend’s phone. in Troia, Portugal, and I’m on my hotel bed with my 4 year and my 2 year old. Where are you in the world right now, and what’s the setting like? Here, Lazarus discusses his London origins, his new album and how he stays sane in the face of our often brutal collective reality.ġ. ![]() ![]() ![]() This type of attentive whimsy that has defined Lazarus’ brand is present throughout Flourish, which balances jazz-inspired ambient-leaning tracks with spoken word moments and hypnotic dancefloor weapons - even if that dancefloor is just your living room. The 8 Best Moments From Day Zero Masada: Dwellers of the Dead Sea, an Israeli Desert Rave For the… The project is also Higher Ground’s first artist album release, with Lazarus and Diplo first linking a dozen years ago in Los Angeles, and reconnecting on the project after Diplo spent a night on the dancefloor at one of Lazarus’ parties in Mexico. Out tomorrow (September 18) via Lazarus’ own Crosstown Rebels label and Diplo’s Higher Ground imprint, the LP is his first solo album since his 2009 debut, Smoke the Monsters Out. With his family, Lazarus holed up in the Italian countryside, where he contemplated the existential questions that would eventually inform his new album, Flourish. He had, suddenly, a lot of time to think. Damian Lazarus is aware that we’re living in unprecedented times.Īlready uneasy about what he calls “a general feeling that the planet is occupied in the main by idiots,” his worries about the fate of humanity and the planet itself were exacerbated when the pandemic struck, winnowing his touring schedule down from a standard 150 shows a year to precisely nothing.
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